Books I've read. Books that have had an impact on me. Books that didn't, but that many believe should have.
Monday, 5 October 2026
What We Can Know - Ian McEwan
Hamnet - Maggie O'Farrell
Raise your hand up if you've heard of this book, or watched the movie. Yup, I thought so...
For me the pros are that Hamnet will have something for everyone - the Shakespeare lovers, those interested in family relations, those who want to explore how people elaborate loss, and those who want to be transported to the past qutie effortlessly (O' Farrell is a really remarkable writer). It will also appeal to those who like to smugly say "Nope, that's not a true account of the creation of Hamlet" (as if that was ever the point).
Yet, for me the book does have one huge con: I couldn't help but feel that it exploited the suffering and grieving of a family, and I'm not quite sure how (or if) that could be addressed - after all, it's most likely better to talk about this kind of loss (even if it is in part to sell copies of a book) than not talk about it all.
Waiting for the Barbarians - J. M. Coetzee
One of the many books I picked up from a table on Rotherhithe Street a year or so ago. And like pretty much all of Coetzee's books I've read (minus perhaps the Jesus series) a really interestign read.
Still, for much that it explored the futility of war and orders coming from above yet out of touch with reality, our lack of empathy and our inability to understand (and fight) a hypothetical enemy, I struggled to see this as an equal to the book it is quite openly inspired by (Buzzati's Il Deserto dei Barbari).
The Confidential Agent - Graham Greene
A book that I found, alongside many that I'm currently reading, on Olio, the (mostly) food-sharing app. A local guy was trying to donate the books of his step-father, and I grabbed a few, though I wish the limit wasn't just 10 at a time as I would have most likely taken the whole lot!
The decisioni to pick this one up was partly determined by my passion for Greene, partly by the fact that I loved the old Penguin edition, partly by the assumption that it would have a kind of Third Man feeling. And I was unsurprisingly correct about the last assumption.
The Confidential Agent is beautiful yet heartbreaking (regardless of whether you know the history of the Spanish Civil War or not, or even whether you associate this book with that particular conflict and not another unnamed one, you know from the start that the protagonist's cause is ultimately hopeless). Still, it is both compelling and, for want of a better term, inspirational to see someone fight for a lost - if morally irreprehebsible - cause.
The environment the characters move in also reminded me of Simenon, though the one thing I could have done without (as I felt it was a move aimed at a movie adaptation, as the book ended up having) was the romantic love story on the fringes.