The Malayan Trilogy – Anthony Burgess

A book (well, actually three) that my mum gave me back in my teenage years. She asked me all smugly if I knew who Burgess was and, having just discovered Kubrick at the time, I had to disappoint (or impress?) her by saying that yes, I did know he was the guy who wrote A Clockwork Orange. After that pseudo high-brow cultural exchange, neither one of us read the trilogy for a good dozen years.

Turns out that the three books are just awesome. The atmosphere is very similar to that of many of my beloved Graham Greene novels, with a not-so-veiled critique of the white man and the wonders of colonization and “progress”. What I found particularly interesting is that the three books have a very different mood: Time for a Tiger is at times absolutely hilarious (and Nabby Adams and his love/dependence on warm beer is one of the best side-kicks I’ve ever come across), The Enemy in the Blanket is a much deeper exploration of love and envy than I thought I would encounter after reading the first book, and Beds in the East is the book that I would like all my students to read when they study the British decolonization process.

All in all, I probably enjoyed the book so much because Crabbe’s approach to colonialism reflects mine, and also because he goes out with a  bang (or a plop?) 

Una Vita Violenta – Pier Paolo Pasolini

My parents each had a copy of this book when they moved in together back in the 1980s and, thirty years later, realized they had no need for two copies in the same house so gave one of them to me (that said, they’re not even sure whether they read the novel or not!)

I did love Ragazzi di Vita, but I found Una Vita Violenta (which in many ways follows in its footsteps) to be of a whole other calibre. Whereas one grows to like the Riccetto in the former a bit less as the book goes on and he settles within “the system”, I actually fell in love with Tommaso more and more with each page (after feeling the intense desire to strangle him during his football match with kids half his size at the beginning of the book, I just felt the need to protect him from the evils of the world).

Sure, his political path is a bit too allegoric for me, but by the end of the book my nerves were completely shattered. I was glad he did not drown in the flood that hit his old neighbourhood, but the end is really no less devastating (and yet, it is the only way the book could/should have ended in order to be one of the great works of the Italian literature of the last century). 

Watership Down – Richard Adams

When I rescued this book from the “table of unwanted items” in my building it was more beaten up than Bigwig after his big showdown with General Woundwort. It was worth rescuing it. Not that, unsurprisingly, its state improved after being put in my bike bag and taken to work every day this week!

As an adventure book Watership Down is just great. It’s got tales of heroic bravery, suspense and friendship. From that point of view it ranks up there with Treasure Island, Around the World in 80 Days and The Lost World in terms of children’s (or at least young adults’) literature. The problem, though, is that, even in this case, I could have really done without magic and folklore: I didn’t care for the stories passed down from generation to generation of rabbits, and I would have liked Fiver a lot better had he not had extra-sensory perception!

Sure, only bucks appear to have a prominent role and does take very much the back seat, but I really don’t see it as too much of a problem and I don’t read too much of a macho message into it (maybe because I’m a man!). 

Breakfast of Champions – Kurt Vonnegut

One of my latest Fopp acquisitions (actually strictly speaking my mom bought it for me…). After loving all the other Vonnegut novels and stories that I had read, the most I can say in this case is that Breakfast of Champions, despite being one of his most famous works, is alright (which I think is also how he felt about the novel himself).

Nothing more, nothing less. Alright. The book is not really a novel and neither it’s a long short story, and I can’t somehow push myself to label it a novella (it just doesn’t feel right). So, because of its felt pen drawings and its clear autobiographical traits I’ll just call it a gift that Vonnegut gave himself for his 50^th birthday, or maybe a literary way out of (or further into?) a mid-life crisis…

1934 – Alberto Moravia

Well, after being left totally indifferent by Gli Indifferenti I had to read another book by one of Italy’s most famous writers. And after all I did love so many of the movies taken from his works (La Ciociara, Il Conformista and Ieri, Oggi, Domani).

1934 is undeniably interesting, but I still didn’t find it that great a read. While a good literary device, the trick that is played on Lucio makes me suffer (I always empathize too much in these cases!) and I also found it rather improbable. Not to mention the fact that the many scenes of a sexual nature to me read mostly like the unfulfilled desires of a 75-year old man.

I also could have done with fewer philosophical passages on the meaning of life and love and more on the nature of Fascism. Also, I find it interesting that Moravia considers the year 1934 to be the 7^th of the Fascist stronghold on power, since most historians would make this start either in 1922 with the March on Rome or in 1926 with the “Leggi Fascistissime”, but maybe he referred to the Grand Council of Fascism becoming the Italian constitutional body in 1928. Pedantic, I know, but probably this is as close to a deep academic point I made in the last two years…

Cities of the Plain – Cormac McCarthy

Up until a couple of weeks ago, I only disliked McCarthy’s books when I found them too gratuitously violent (Blood Meridian and No Country for Old Men). Sadly enough Cities of the Plain proved that on some rare occasions I might not fall in love with McCarthy’s novels because they can also be, well, average.

The prose is still great and the characters interesting if a bit boring in their stubbornness, but I have two problems with this book.

1. Was it all just about capitalizing on the success of All the Pretty Horses and The Crossing? Cause I really saw no need to bring back John Grady and Billy (despite the fact that they are two of the characters that I loved most in history!) and pair them together – I want my cowboys to be allowed to ride on in the sunset and never be seen again at the end of books

2. John Grady survived countless attacks in the Mexican prisons in All the Pretty Horses and then gets essentially destroyed in a knife-fight by his dead lover’s pimp. Now, I understand hating your enemy affects your judgement (thanks Godfather II), but I seriously would have expected more from one of the coolest men ever…

Mr Sammler’s Planet – Saul Bellow

Saul Bellow is probably as underrated a Nobel Prize winner as any, and the fact that my second-hand bookshops very rarely have his books is undeniably a sad sign! But hey, luckily my parents had two copies of this novel (and Skoob near Russell Square had Humboldt’s Gift, which I will hopefully read soon).

Mr Sammler’s Planet is wonderful, witty and deep. It is also typically Jewish and New Yorker, which makes it an instant sell with me. For all the depth and likability of the protagonist, however, the two most interesting characters are the dying Elya (a perfect patient, and surely a very good doctor – if uninterested in his profession) and the stylish and mysterious pickpocket, whose bizarre decision to impress Sammler by showing him his member is for me one of the great creations of American literature. Speaking of great creations of American literature, though, it’s important to remember that nothing here matches Herzog’s graphomania…

And I could talk about Sammler’s experiences in WWII, but the book is ultimately about overcoming those (at least to me), so I won’t. Instead, I’ll say that this book mentions Ferdinand the Bull, without a doubt my favourite story between the ages of 3 and 6.