Books I've read. Books that have had an impact on me. Books that didn't, but that many believe should have.
Sunday, 16 July 2023
Agent Running in the Field - John le Carré
Wednesday, 24 May 2023
Lessons - Ian McEwan
Friday, 10 February 2023
The Cockroach - Ian McEwan
McEwan has it in for Brexit even more than I do by the looks of it. He might not be originally "from the continent", but he does appear to be perplexed and saddened by his country's botched seppuku attempt. And to think that it was written in 2019, which now to me looks like a wonderfully heady period of friendship and stability.
This is a light read if there ever was one. It's even funny - at times - when it's not trying too hard. I agree with the bottom line (Brexit is nuts, and why would anyone want it), but for a therapeutic laugh I'd always pick a column by Marina Hyde on top of a novella.
Seasonal Quartet - Ali Smith
Funnily enough, the Southwark electronic library has a e-copy of the first two books of the series, but I had to go to the actual library (exotic!) to get the hard copies of the last two.
With hindsight, that was somewhat fitting, as I fell in love with Autumn and Winter, thinking of ways to write to Ali Smith to tell her how impressed I was with her decision to tackle events "in real time", take such a clear stand on so many social issues, and express (yet again) her love for Italy and Italian culture.
Said love started to subside by Spring, and ultimately Summer left me rather unsatisfied. Much like had happened with Jonathan Coe's Middle England I felt that Smith couldn't quite manage to finish with a "bang" so, to avoid finishing with a "thud", she decided to finish with something that is safe and whose vibe (though - in her defense - not its details) is largely predictable.
Also, that should teach me about reading four books from the same author in quick succession. I had grown tired of her writing style by the end, and I really wish that hadn't happened.
Monday, 10 June 2019
Middle England - Jonathan Coe
A rare Jonathan Coe book that I didn't enjoy, and yet one that I think serves an educational purpose (at least for non-British writers).
The characters that I loved so much in The Rotters' Club, and that I still enjoyed in The Closed Circle are back for a third time and, at this point, it's just a bit much: with age they've lost a lot of their charm and too many of them have turned into allegoric representations of the sections of society they belong to.
While some of the new characters that are introduced are interesting enough, most of them are rather one-dimensional. The themes discussed are so widely covered in the media these days, and in rather similar ways, that they don't really add anything new. And the ending of the book is not one of the typical chaotic and rocambolesque ones that Coe usually goes for, but rather a flat one that reminds the reader of a cheap romance.
Yet, for someone who doesn't live in the UK and knows little about the current political landscape, this book can be a really good introduction to Brexit and the awfulness of the current political discourse in Britain.


