The Impressionist – Hari Kunzru

Another 30p surplus copy that my wife bought at the Barbican library, and a novel that I later took on a research trip to Rome, where I would hit the archives in the early morning, hit the city in the late afternoon, and hit the bed of a centrally located convent (yes, I wasn’t swimming in money as a Ph.D. student!) with a book or a movie in the (very) early evening.

I’m not quite sure if I was upset with myself for not liking a book by Kunzru, or kind of upset with him for writing a book that I couldn’t like. I had very high expectations from the book right after reading of Pran’s conception (in its biological rather than literary meaning) and getting ideas about the kinds of reactions that his complexion could cause.

But, sadly, the novel was a bit vacuous (like Pran himself) and never really won me over with its description of idealized and glorified places (which, to me, remain very much idealized and glorified even when they are deprecated in the novel). I just felt like Woody Allen’s Zelig was a much more interesting (and likeable) chameleonic character...