A Prayer for Owen Meany - John Irving

An almost great American novel. Which is both high praise and highly frustrating. 

What makes it great is the eponymous protagonist, his relationship with the family of the narrator, and the chapters set in school and the New England backdrop. 

What doesn't make it great is the dull narrator (and the decision to dedicate so many pages to his contemporary life), the allegorical/metaphorical/mystical parts (just not my thing), and the fact that the ominous presence of the Vietnam War in the background has worked better for other authors (Auster, for instance). 

And from what my mom was telling me of John Irving I was expecting more fireworks in the plot, but this is probably one of his (relatively) sober novels. 

Girl, Woman, Other - Bernardine Evaristo

  

I'm definitely glad I've read this book. I most definitely enjoyed it. I also definitely didn't love it. 

I feel that there were many sections in which the theme of intersectionality was pushed in too academic a way. From that point of view, a number of other authors (academic and not strictly speaking so) would have been more appealing to me. 

On the other hand, when the characters are presented and interact in what feels - to me - like a more free-flowing way, then the book turns into the equivalent of a good (if not as humourous) Zadie Smith novel, and I'm definitely more captivated. 

Or at least I think so (a line that at the end of the day should precede every single post on this blog).

Ohio - Stephen Markley

 

Gotta love a big chunky novel about suburban America. Actually you don't have to, but I do. Actually, so few people do that the only way for me to get an electronic copy of this book was by borrowing it from my Italian e-library (arguably better stocked than the London ones) and read it in translation. 

Ohio was a great read, suggested by my mum, to whom it was suggested by one of my closest friends (why didn't he suggest it to me in the first place, who knows!). It's well-written, depressing but witty, and ultimately a very interesting portrait of the American mid-West in a community taken over by narcotics and general socio-economic malaise. 

It's also a bit too much. Every page is extremely intense. The parallel plots are one too many, as is the number of chapters. And literally there doesn't appear to be many major characters that are both alive and mentally stable human beings by the end of the book. For the sake of the people of Ohio, I hope their lives are generally a bit simpler than this.

About a Boy - Nick Hornby

Not even 50p. This was actually 30p from the Barbican Library overstock shelves. Now, I do realize that, much like David Nicholls a decade later, Nick Hornby isn’t exactly great literature, but it’s very well written and funny, and its cultural pop references are still better than those of plenty of bestsellers. So go ahead, and look down on me for enjoying a read like this every once in a while.

For once I actually had a book that I could pick-up on a short train journey (not that I use trains often – I just happened to do a bit of parkrun tourism when I was reading About a Boy), while waiting in line at the post office and, erm, on the toilet.

And it was great.

Having watched the movie, most of the gags and jokes were unsurprising (that said, I did still giggle aloud a few times – the dead duck remains priceless) but the ending was much more meaningful than I expected (not that seeing Hugh Grant accompany Marcus’s version of Killing Me Softly isn’t meaningful). And reading about my old neighbourhood always makes me feel all warm inside.

So yeah – Great literature? Not even remotely. Great read? Absolutely.