Showing posts with label Epic. Show all posts
Showing posts with label Epic. Show all posts

Thursday, 24 March 2016

Song of Solomon – Toni Morrison


Not quite sure why I read Beloved before reading Song of Solomon. Well, not true. I read Beloved first because somebody left it in by building’s reception while I actually had to buy Song of Solomon…

I do realize that what I’m about to write is ground-breaking and has never been thought (let alone said) before, but Song of Solomon is an absolutely outstanding book. Sure, looking for material wealth and finding one’s true roots instead is the oldest literary topos, but this novel explores it so very well.

And, much like in all (very good) epic family stories, the anecdotes that are passed down from generation to generation are truly wonderful. And, much like in all (very good) epic family stories, wisdom is dispensed by old characters who have understood everything in life (here Pilate reminds me in part of Marquez’s Pilar Tenera and in part of Richler’s Ephraim Gursky).

And when Milkman thinks of his people and includes Jelly Roll, Bo Diddley, Fats and B.B. it’s very much like in Good Morning Babylon the two brothers tell some Hollywood types that they are the sons of the sons of the sons of Michelangelo and Leonardo (https://www.youtube.com/watch?v=4ISEw_yf8-o apologies, the audio is only in Italian). 

Sunday, 13 September 2015

Il Cavaliere Inesistente – Italo Calvino




Easily my least favourite book from Calvino’s Ancestors trilogy – probably because it’s, well, a bit too Calvinoesque. I have never been a fan of epic chivalric tales, even less of epic chivalric tales written in the 20th century and with constant allegoric and fantastic elements.

The trilogy overall (which also includes Il Visconte Dimezzato and Il Barone Rampante) perfectly sums up my relation with Calvino: if he goes all medieval on the reader he loses me (the Visconte, possibly, being the exception), if the allegoric passages occupy essentially one entire book (like in this case) I’m not interested, if his fantastic tales are just too much to be even very faintly and remotely possible, I’m out. At the same time, if he softly touches upon immature love, or silly but understandable moral principles, I may get hooked.

And since Il Cavaliere Inesistente does the three things I dislike about Calvino, its love story is too forcefully epic and poetic, and Agilulfo’s moral stand is silly yes, but a bit dated (surprising in a medieval book, eh?) – well, I’m afraid this book is just not for me.