As every good (continental) European middle
school student, I’ve spent long weeks reading Queneau’s Exercises in Style – pages and pages of the same 15-20 lines
repeated using different adjectives, or a different tone, or different
punctuation, whatever. Probably that’s the reason why I hated him to begin
with.
The Blue Flowers is not a bad book, but when you have
Calvino (and you already don’t particularly like his dreamlike knightly
stories) it just seems kind of silly. Yes, the story is formally perfectly
framed, but to me that’s just not enough to make it a seminal work in the
French literature of the 20th century. The book, just like the life
of CIdrolin, is really quite cute. And there is a problem when the best thing
you can say about a book is that it’s “really cute”.
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