Deluge - Stephen Markley

Wowzer. 

One, at the very least, has to appreciate the audacity of Markley in even contemplating writing a book like this. I had to renew my library loan, as I couldn't quite finish it within the canonical two-week loan period. 

What makes this book different from so many other dystopian novels (and then again, is the best term really "dystopian"? the reality of the book feels like an increasingly possible near future) is that it doesn't start with the world being in a state of absolute chaos recognizable even by the most distracted readers; rather, it starts with our current world and our utter inability to understand how badly we are messing it up, and the descent into absolute disaster is gradually described by Markley. 

Of the various plots that run in parallel, some are obviously more compelling than others, and some are more original than others (and within them, there are some passages that are not particularly surprising, and others in which you see the author and humanity unleashing their creative and destructive potential at its finest - the Weathermen being a perfectly fitting example). 

It would have been an almost perfect book had it not been for the almost Hollywoodesque ending. I understand the author needed to sell a few more copies, but the final chapter felt a bit too hopeful and optimistic after all the drama of the previous 1000+ pages. 

Life & Times of Michael K - J.M. Coetzee

Another book that I got from my neighbour's donation box. Though in this case I didn't confuse Coetzee with someone else, in the same vein as I had confused Bulgakov and Nabokov. 

I thoroughly enjoyed Life & Times of Michael K. I didn't find the description of Michael's thought process to be heavy-handed or patronizing; rather, I found them to be a great reflection of the depth of a man who is judged by other people because of his appearance and has come to internalize many of those judgements. 

Much like with Disgrace, I found Coetzee's description of divisions in South Africa to be more immediately believable in its rawness than Nadine Godimer's (then again, perhaps I should read more South African authors to actually have a better appreciation of their literary heritage eh...). 

Some of the more dream-like sequences reminded me of his Jesus trilogy, though perhaps given the setting I found them much easier to digest. 

Bambino - Marco Balzano

After reading Resto Qui I ultimately decided that my perplexities about its plot (and the decision to cover an excessively long time span) were trumped by the fact that I had enjoyed reading something about a (hi)story I knew nothing about. 

So, with the same spirit, I approached Bambino, because the Italian North-East and its recent past remain big mysteries to me. 

I appreciated the fact that the narrator/main character of the novel is deeply unlikeable, and his lack of politics but deep-seated hunger for power, authority, influence, violence and money are ultimately a pretty good reflection of why so many Italians were (are?!?) attracted by the Fascist regime. 

While not a great book, this for me was most definitely a good book. The biggest shame, like with Sunset Boulevard, is that I find it annoying to have a narrator telling his story after his own death is hinted at (or openly depicted) since the very beginning. 

La Gioia di Ieri - Elena Stancanelli

 

The kind of typical book that I read because I like its cover and trust its publisher. 

But one shouldn't judge a book by its cover, and publishers do need to sell books to a wider audience than me and people like me, I'm afraid. 

I was hoping for something bubbly and at times slightly unorthodox. Instead what I got was the story of an owner's love for her dog (in case, please refer to my comments to Heart of a Dog for my view on the previous dog-related book I had read) and ultimately her descent into spinsterhood (despite her possible lack of self-awareness). All in all, a bit of a waste of time, though at least not a particularly troubling one...

Heart of a Dog - Mikhail Bulgakov

 

A neighbour left a whole bunch of novels by some of my favourite authors in a box on a doorstep. When I saw it I was running back home. I stopped. I dove into the box. And I came out with this, with a bunch of books by Coetzee, some by Eugenides, some 19th century classics, and had a good backpack full of books (needless to say, that last 1 km back home was a tad bit slower than the previous ones...). 

Only thing: in my oxygen-deprived state my mind swapped Bulgakov and Nabokov (I can't be the first one, though that's no excuse). I had found The Master and Margarita to be ponderous and self-indulgent, but having got this book anyway I decided to read it (also because, in all honesty, it's very short...). 

Turns out, I don't particularly like dogs, I don't particularly like Bulgakov, and I don't particularly like mad doctors playing god with brain transplants. I also don't particularly like allegoric depictions of the Soviet Union characterized by a sense of humour that was probably dated already in the 1920s. 

So, guess what, I didn't particularly like this book...

Cose Che Non Si Raccontano - Antonella Lattanzi

This is a book that I decided to read when I became line manager for 11 (reasonably) young women (and 1 man - who would have thought, the academic third space is ever so slightly female dominated...) and figured out I might as well read up on some of the challenges they might be facing. 

And wow, this was a tough read. I didn't even pay much attention to how well-written (or not) the book was, as its treatment of the author's medical and psychological issues was the only thing I could really focus on. 

A few chapters in, I quickly stopped mentally telling the author to be more resilient and/or get to the point, and actually came to appreciate her own openness and most of all the intellectual honesty with which she described her own physical and mental processes. 

I still don't quite know whether I "liked" the book or not, though I'd like to believe that it made me better at managing challenging conversations. 

Unsheltered - Barbara Kingsolver

Yet another author that I read because of my mother's recommendation (though admittedly she did win the Pulitzer, so I don't think my mom can be credited with discovering Barbara Kinsgolver!). 

Despite the fact that some of the more romanticized passages about the house and the locations of the novel bored me a bit, this was a truly pleasant read. 

Surprisingly, even the 19th century part of the plot kept me entertained, and brought to life the scientific debate of the time in a much more persuasive way than many other works of fiction. The optimism in the face of uncertainty that transpires through much of the contemporary part of the plot was at times a bit overdone for me, but hey, I acknowledge that the author might need to sell some books (and that she might feel optimistic about life in general...). 

Ferrovie del Messico - Gian Marco Griffi

 

Meh. 

Acclaimed by the hipsters-who-know as one of the greatest Italian books in recent memory, this picaresque novel made famous by word-of-mouth left me initially untouched, and ultimately bored. 

Initially untouched because the few humorous moments are separated by long pages of forced irony and self-congratulatory prose. 

Yes, you've done your research. Yes, you can write pretty well. But do you need to remind the reader (directly or indirectly) at every page?

And ultimately bored because this book just goes on and on for hundreds of pages (8+, to be precise) and that was so completely unnecessary...

Most likely the novel on Italian Fascism that had the smallest impact on me. Disappointing to say the least...

The Notebook Trilogy - Ágota Kristóf

 

Yet another Hungarian book (well, a trilogy) and one that for two thirds was absolutely mind-blowing. 

The first book, with the twins' penchant for self-discipline, their unique view of the world and their twisted ethic, was an absolute work of art finishing with the most dramatic couple of lines I've read in a long, long time when one of them crosses the border. 

The second book was softer, but revealed unexpected elements of depth in the character of one of the twins, and also acted as a very interesting depiction of an unnamed country (well, Hungary) during the Cold War. 

But the revelation of the lie in the third book, instead of adding a further element of intrigue, it unfortunately made me lose interest in the trilogy, and actually left me rather disappointed after having been so enthralled by what I believed were the true elements of the first two books. 

The Stolen Bicycle - Wu Ming-Yi

 

I believe this was the first Taiwanese book I've ever read, and in many ways a lot of the anecdotes (at the end it's almost a collection of anecdotes tied together by the search for a bicycle/family heirloom) reminded me of the touching stories by Mo Yan. 

The "technical" sections on the mechanics of bicycles and their evolution were in all honesty fairly boring, even for someone who enjoys his own bike and can look after it reasonably well. 

One thing that I found curious was the lasting legacy (and presence) of the Sino-Japanese war throughout the novel, much like for many Italian authors the impact of Fascism remains a constant (and again, much like Mo Yan goes back to the Sino-Japanese war time and again, with all the obvious disclaimers about the differences between mainland China and Taiwan). 

Dimmi di Te - Chiara Gamberale

 

A book that I picked only because I liked its cover (again) and because I had vaguely heard of its author because of a radio program of hers. 

While I don't dispute the personal sufferings of the author, and the complexity of raising a child as an old(er) semi-single mother, I really didn't enjoy this romanced autobiography of hers. 

At best, this book's purpose is chiefly a therapeutic exercise for Gamberale. Good for her, but it doesn't make for a great for me, and her attachment to many more or less significant figures from her high-school decades before left me quite untouched. 

At worst, this book capitalizes on the sufferings of her high-school best friend, and on the life of her young daughter. Which just doesn't sit right with me. 

Beautiful World, Where Are You - Sally Rooney

 

And the last of the Sally Rooney novels that I've read lately (and, actually, the last Sally Rooney novel I hadn't read). In my very own rankings, it sits as a comfortable second, but the gap between this and Intermezzo is significant. 

I greatly enjoyed the e-mail exchanges between Alice and Eileen that alternate with the narrative chapters, but I found it odd that, while the written communication between the two of them felt so real, the dialogues in the other chapters (and the overall dynamics of the four main characters) felt somewhat unnatural. Or maybe my experience of dysfunctional relationships is too limited for me to understand these people's interactions. 

Also, I somehow kept on picturing Felix as the bold "heavy" from Anora. 

Embers - Sándor Márai

 

After reading The Door I felt that I should read another Hungarian book in the hope of striking gold again. 

What I struck, ultimately, wasn't gold, at least not for me. Yet, it was a pleasant read about friendship and love in front of a dying fire (and/or in front of a dying empire, despite the fact that by the book's publication Austria-Hungary had been dissolved for more than 20 years). 

It is one of those books whose plot I can't remember, but I do remember the sensations it evoked. Still, as far as authors covering (and celebrating) the decadence of a former glorious central European empire go, Joseph Roth wins, hands down. 

La pouponnière d'Himmler - Caroline de Mulder

 

One of the usual random books that I pick up because I like the title (well, I really, really, really don't like Himmler, but let's say the title sparked my curiosity). 

Bonus points for allowing me to read about a reality that I vaguely knew of, but that I rarely read about in my history books and articles. And in general for being quite touching in the portrayal of the solitude of a young girl who comes to the realization that she has been taken for a ride and that will always be an outsider, no matter where she is. 

And to be honest, given the nature of book, I'm also quite willing to accept the (relatively) uplifting finale (also because it's not overly saccharine after all). 

Normal People - Sally Rooney

And this is the third book of Sally Rooney that I've read, and probably the one that I liked the least (though in all honesty I was most likely put off by the mention of the "Netflix series inspired by this book" on the cover). 

Problem 1: the decision to only look at particular episodes in the characters' lives and jump ahead in time feels overdone (I find it cheap in general, though at least Rooney does it better than Michael Cunningham in his latest book)

Problem 2: the 50 Shades of Grey turn left me indifferent to say the least

Problem 3: Marianne comes across as a bit too desperate and devoid of agency by the end of the novel, which I found a bit too much of a downer